Framespotting: Filmwissenschaft

Колегите много добре знаят, че обичам да ги спамвам с най-различни безсмислени линкове, че чак вече са се научили да не им обръщат внимание. Така че сега мисля да пробвам нещо друго и да затрупам вас, драги читатели, с купища информация, от която може би се интересуват точно 3,5 човека, а два пъти по-малко биха си направили труда да я попрехвърлят.

Иде реч за Film Studies For Free, които са толкова добри, че да следят академичния свят на киното вместо нас и да ни снабдяват с плодовете на неговия труд. Напълно съм наясно, че това животно почти не вирее в България, но нищо. It’s for free. Линковете по-долу са дословен copy/paste от колекцията на Catherine Grant от разсъжденията на разни умни хора върху творчеството на Уонг Кар Вай.

Видео:

Brian Hu, ‘Pop Music and Wong Kar-wai (visual essay)’ Mediascape, Winter 2011

Soraya Sélène, ‘Decoding Wong Kar-wai’, Vimeo, March 4, 2011

Vicky Thai, ‘Wing Kar-wai’s Notion of Time’, Vimeo, December 15, 2010

Quentin Tarantino on Chungking Express on YouTube

Текст:

Acquarello on Wong Kar-wai at Strictly Film School

Matt Bautch, ‘The Cultural Aesthetic of Wong Kar-wai’, Latent Image 2003

Gary Bettinson, ‘Wong Kar-wai and the Aesthetics of Disturbance’, David C. Lam Working Paper Series, 105, November 2010

Giorgio Biancorosso, ‘Romance, Insularity and Representation: Wong Kar-wai’s In the Mood for Love and Hong Kong Cinema’, Shima: The International Journal of Research into Island Cultures Volume 1, No. 1, 2007

Allan Cameron, ‘Trajectories of identification: travel and global culture in the films of Wong Kar-wai’, Jump Cut, 49, 2007

Felicia Chan, ‘In Search of a Comparative Poetics: Cultural Translatability in Transnational Chinese Cinemas’, PhD, Nottingham University 2007, (chapter 3 – p. 147-201 – treats Wong Kar-wai)

Christopher Doyle and Wong Kar-wai interview for Interview Magazine on Ashes Redux

Wendy Gan, „0.01cm: Affectivity and Urban Space in Chungking Express.“ Scope: An Online Journal of Film Studies, November 2003

John Christopher Hamm, ‘Review of Wong Kar-Wai’s Ashes of Time by Wimal Dissanayake’, MCLC Resource Publication, October 2005

Ian Johnston, ‘Unhappy Together: Wong Kar-Wai’s 2046′, Bright Lights Film Journal, vol. 47, February 2005

Jo C. Law, ‘Time without end: exploring the temporal experience of wong kar-wai’s 2046 through Walter Benjamin’, In A. Benjamin and C. Rice (Eds.), Walter Benjamin and the architecture of modernity (pp. 159-173). Melbourne: re.press.

Anthony Leong, ‘Meditations on Loss: A Framework for the Films of Wong Kar Wai’, Asian Cult Cinema 1999

Trish Maunder, ‘Interview with Tony Leung’, Senses of Cinema 2001

Kathryn Millard, ‘Writing for the Screen: Beyond the Gospel of Story’, SCAN, Vol. 3, No. 2, 2006

Martha Nochimson, ‘Ashes of Time Redux’, Cineaste,Vol.XXXV No.1, 2009

Robert M Payne, ‘Ways of seeing wild: the cinema of Wong Kar-Wai’, Jump Cut 44, 2001

Mark Peranson, ‘The Numbers Game: Wong Kar-wai finally finishes 2046′, Cinemascope, 19

Tony Rayns, ‘The Innovators 1990-2000: Charisma Express’, Sight and Sound January 2000

Mina Shin, ‘Review of Planet Hong Kong’, Framework, 42, 2000

Donato Totaro, ‘My Blueberry Nights: Love Drives Full Circle’, Offscreen Journal, July 31, 2008

Fiona A. Villella (symposium ed.), ‘The Cinema of Wong Kar-wai – A ‘Writing Game’, Senses of Cinema 2001

Flannery Wilson,’Viewing Sinophone Cinema Through a French Theoretical Lens: Wong Kar-Wai’s In the Mood for Love, 2046, and Deleuze’s Cinema’, Modern Chinese Literature and Culture, Volume 21, Number 1 (Spring 2009)

Elizabeth Wright, ‘Profile of director Wong Kar-wai’, Senses of Cinema 2002
Laurel Wypkema, ‘Corridor Romance: Wong Kar-wai’s Intimate City, Synoptique, August 1, 2005

Xuelin Zhou, ‘On the Rooftop: A Study of Marginalized Youth Films in Hong Kong Cinema’, Sungkyun Journal of East Asian Studies. Vol. 8, No. 2, 2008

Emilie Yueh-yu Yeh, ‘Transcultural Sounds: Music, Identity and the Cinema of Wong Kar-wai’, David C. Lam Working Paper Series, 69, November 2007

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Докато сме на темата бих ви насочил и към блога на David Bordwell. Както и към Undead Links to George A. Romero Studies, защото знам, че наоколо се навъртат нездравословно количество зомбофили. Желая ви приятно четене за следващата една година.

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